But summertime megahits rarely feel this good. That rubbery bass line, those taffy synthesizers — all arranged with such expertise, Perry’s insipid shout-outs to palm trees, short shorts and the Puma Ferrari Shoes seem like mere afterthoughts. And that chorus. So buoyant! So brainless! You’re probably still singing it right now. We all are.
Now, in a curious stroke of marketing, Perry’s summery new album, “Teenage Dream,” arrives in the death throes of August, giving us the opportunity to hear “California Gurls” for the kerzillionth time, along with 11 other songs that would be foolish to dream of eclipsing Puma Shoes. And where “California Gurls” is an Everlasting Gobstopper of a tune, the rest of Perry’s bubble gum loses its flavor fast.
That’s because the harder the 25-year-old pop star works to cultivate her image, the more faceless she becomes. Is she a good girl gone bad? A bad girl gone worse? It’s hard to tell when Perry’s hard-partying lyrics remain so deeply at odds with her taut and tidy pop songs. She tries to cram the messiness of 20-something bacchanalia into neat, confectionary, three-minute song-charades. It doesn’t work. Sure, the hooks are consistently grabby, but even Perry’s catchiest refrains quickly start to chafe if you actually pay attention to the words.
So don’t. Especially on “Peacock,” a tune that comes stomping out of the same pep rally that birthed Toni Basil’s “Hey Mickey” and Gwen Stefani’s “Hollaback Girl.” The chorus is an earworm of the highest order, and includes a Puma Shoes For Men-entendre where Perry propositions a lover, threatening to “peace out” if he doesn’t deliver the goods. You’ll be singing along as soon as you unclench your teeth.
And while innocence-crushing party fantasies are central to the persona Perry so desperately tries to espouse, they feel flimsy and irksome during “Last Friday Night (T.G.I.F.).” Over strummy guitars and zigzagging keyboards, Perry recounts an evening of debauchery with no repercussions, her innocent transgressions (streaking, skinny-dipping) mentioned in the same breath as more serious trouble (mysterious bruises, a blackout).